How Much Are Taylor Swift’s Legs Worth?

A very bizarre study that looks into how much celebrity body parts cost has unveiled some interesting and kind of horrifying information. Per The Hollywood Reporter, questions like, "How much are Taylor Swift's legs worth?", "What's Gorgon Ramsay's tongue worth?" and "How much is J-Lo's butt worth?" actually have answers, as determined by insurance companies.

All these celebrity body parts reportedly have been insured for millions just in case something goes improbably yet horribly wrong. One famous father, Nick Cannon, who fathered 12 children in a short amount of time, has a policy of $10 million protecting his family jewels, so to speak.

"Haters say it’s time for me to stop having kids and put this super sperm to rest, but I’m doubling down on these valuable balls,” Cannon declared in the Dr. Squatch promotional video. The policy is also a promotion of his line of ball-care products.

In 2010, Time magazine reported that Bruce Springsteen insured his voice for $6 million with Lloyd's of London. Meanwhile, chef Gordon Ramsay recently reportedly insured his tongue for $10 million if his expert palate diminished. Then, there's the widely-known insurance policy Dolly Parton took out on her breasts. With reported 40DD breast implants, Dolly took out a policy to cover herself if anything happened to them. Each breast is worth $300,000, making the total $600,000.

Now, for the heavy-hitters in top 40 music, artists like Mariah Carey previously took out two $35 million policies while touring in 2016: one for her famous voice, the other for her lengthy legs. Rihanna had a $1 million legs policy taken out by Gillette when they named her Celebrity Legs of a Goddess in 2007.

Another star who took out a policy on her legs was none other than Scream Queen Jamie Lee Curtis. The Halloween alum had a $1 million policy taken out for her legs when she appeared in campaigns for pantyhose brand L'eggs.

The highest-priced legs policy of all goes to Taylor Swift. The pop icon insured her legs for a whopping $40 million in 2015 ahead of her 1989 tour. Swift hasn’t confirmed or denied it, but the 5'10" singer-songwriter addressed the headline while tweeting a photo in 2015 of her scratched leg and referencing one of her cats. “Great work Meredith. I was just trying to love you and now you owe me 40 million dollars.”

Taylor Swift's 11th studio album, The Tortured Poets Department, has already come with surprise after surprise. From the double album release to the songs shading Kim Kardashian, Matty Healy, and Joe Alwyn, TTPD has "left no crumbs," as they say.

What stood out to us most about the 31 songs is that Swifties -- whether happy and in love or going through it -- all loved her dark and cheeky lyricism. Despite whatever mood you are in, it seems as though the pop icon has managed to perfectly balance vulnerable, crushing lyrics of hurt and heartache, all while giving her fans something to dance to and smile through the pain.

I am not a Swiftie, but I can recognize when Swift, 34, has a hit. As a songwriter, Swift can be clever, and her usage of advanced vocabulary absolutely shines on this album. At other times, as pointed out by others on social media, Swift can be a little juvenile with some of her lines, making us wonder what the hype is all about.

However, compared to other successful pop artists of today, no one else does it like Taylor Swift. She reaches her fans worldwide with her lyricism and musicianship. Every album is an event, and this one is no exception. TTPD has been compared to her 2020 album, folklore, with fans commending her use of synths on this album as well.

Longtime collaborator and friend Jack Antonoff shared his love for Taylor on X (formerly Twitter) and listed his favorite tracks on the record, both of which actually ended up on our list as well. "!! FOTS heads lets go !!" he writes of the 7th track, "Fresh Out The Slammer." He later hyped up track 4, "Down Bad," as it "heads as well."

Though the album opener is bubbly and fun to dance to, the lyrics are actually pretty sad and depressing. Post Malone echoes Swift's lines: "I love you, it's ruining my life." Swift admits she was a functioning alcoholic, driven to be such because of her longtime ex, Joe Alwyn. She swooned over Posty on Instagram that she's been a "huge fan" of his because of "the writer he is, his musical experimentation and those melodies he creates that just stick in your head forever." We witness that "magic" on the opening track.

There are no shortage of synths on the album. Track number 4, "Down Bad" has fun instrumentation, matching the playful lyrics of the cosmic love she had for 1975 frontman Matty Healy. "Staring at the sky, come back and pick me up," she asks aliens. Of her short romance with Healy, she acknowledges the perception: "They’ll say I’m nuts if I talk about the existence of you." She's probably right. Admit it, you thought she was slumming when she was dating him.

Track 7, "Fresh Out The Slammer," is a fun track and the most dynamic of the bunch. The song's guitar reverb intro gives us Lana Del Rey and Orville Peck vibes. You can't help but dance along to this song. Near minute 3, the song slows down and changes the whole energy as the song wraps up.

By track 13, we get another lyrically depressing dance bop with "I Can Do It With a Broken Heart." The song is an anthem for those of us who have no choice but to push through the hard times. She sings,” I can show you lies…”, “Lights, camera, action, bitch smile, even when you wanna die.” The song is believed to be about the breakup with Joe Alwyn, as Swift at this time seemed unfazed about it, as reflected in lyrics: "I was grinning like I’m winning I was hitting my marks. ‘Cause I can do it with a broken heart.” You can’t help but dance along to the chipper, ‘80s feeling song. She declares at the end, "'Cause I'm miserable! And nobody even knows!" before challenging, "Try and come for my job."

In this synthy track, Swift sings about how she is a gem and she will always have a hold on her ex lover. Whether she will be your wife or smash up your bike, she's gonna get you back in track 18 of the double album. She declares, "I'll make you think twice you'll find that you were never not mine."